Mousse, February 2020
Art Viewer, September 2019
Flash Art, March 2019
Conversation with Lara Konrad, October 2017
My work ponders on the consequences of technology encountering one’s intimacy, self and mutual understanding. In several projects over the past years I have been questioning about the digital image and representation of the self, algorithmic identity and heteronomy, structures of empathy existing in-between and beyond verbal communication, and the ghostly forces embedded in informational turmoil.
Engaging in long-term and research based operations—with latent and diverse output dispersed in different forms and formats, or no output at all—enabled me to develop a practice detached from visuality or style, including the possibility of failure as a means to address change and multiplicity, and to embrace versioning and revisions as a method.
Comprehending the threshold of the physical with the nonmaterial, or the contradiction of existing as a human body at the interchange with hybrid, digital and nonhuman entities is central to my activity as an artist. I have approached different sources with nonlinear/non-rational inclination, both as quasi-readymade material as well as raw material for further rumination, transposition, displacement, and permutation in time.
Portfolio (PDF): on request
